Going beyond the focal range of the stunning 200-400mm this lens again has stunningly fast auto-focus and incredible image resolutions. Prime lenses tend to be more expensive than zooms, but they are also faster. It gives you a little room to stop down for extremely crisp shots and should offer plenty of light in most scenarios. How We Chose Our Ratings Best Lenses for Canon 5D Mark IV. Their multiplication factor works both in extending the length and multiplying their potential cons. Best Wide Angle Lenses for Landscape Photography Nikon 14-24mm f/2.8G ED. With that in mind, we are going to focus our reviews on zoom lenses for wildlife photography as they offer more photographers the most flexibility. At 2.3kg, it’s incredibly lightweight for what it is. This is why they are often used for portrait photography. From personal experience of the Nikon teleconverters, I would insist you avoid the 1.7x and 2.0x versions (the 1.7x is actually the worst of the bunch for Nikon). When shooting telephoto lenses over longer distances, it's easier to isolate your subject and get a soft background effect even with a higher aperture setting (f4, f6 or f8). What about using a teleconverter to extend the reach of a smaller lens, rather than buying a super telephoto? The absolute best you can hope for from a teleconverter is that it will not detract from image quality. If you want more reach than what the 1.4x converter can offer you, think about buying a camera with a cropped sensor. Wide angle lenses suit photography that focuses on leading lines, natural light, and the angle of view among other things. If those lens… © Nature TTL 2014 - 2020. 35mm begins to transgress into the domain of standard focal length and that probably is the limit that I will go when shooting landscapes. VR for Nature & Wildlife Lenses. The best quality image in low light; This lens has the capability of producing sharp images even in low light with very little coma. Autofocus is reasonably quick, the OS or image stabilization is effective and the build quality is quite good. Jump to my wildlife lens recommendations. It seems like a no-brainer to take a shorter focal length and add a teleconverter to extend the reach of your lens. They have a much wider maximum aperture, which is a big part of why the price shoots up. If you have enough wiggle room in ISO or shutter speed to accommodate for the light loss, or it's a particularly bright day, you will get unparalleled reach from your lens. Captured with a Canon EF 24-70mm f/2.8L II USM Standard Zoom Lens Pet Portraiture vs. Wildlife Photography. The Nikon 400mm f/2.8 lens is fantastic and very fast, but will set you back over £10,000. Advertiser Disclosure: Backpackerverse.com is a free online resource that offers valuable content and comparison services to users. While extreme telephoto lenses can sometimes seem steeply priced, they are a necessary investment, because they are the tool you need for the job you want to do. It is available at a lower price. My only advice would be to get the best lens you can afford, as it’ll last you longer before you feel the need to upgrade and lose out by spending more. In our opinion, an incredibly small trade-off for the smaller size, relatively light weight and incredible image quality this lens provides. It lets you use the absolute best tool for any specific job or subject. It might be great to have a lens that opens up to f/2.8, but you won’t necessarily always need to shoot at this level. Considering adding a teleconverter to your lens? The best thing about this lens is its wide-angle focal range coverage of 16mm all the way to 35mm. Laowa 12mm f/2.8 2. It also has a nano crystal coating which reduces ghosting and flare. This lens works both in abundant light conditions as well as low light. Fast lens aperture means you can shoot lower light wildlife photography without relying on high ISO capabilities. Nikon's exclusive Vibration Reduction (VR) technology offers the ideal solution for reducing image blur, due to camera shake. It's far from the end of the world if you are using a variable aperture f4-f5.6 but you'll really start to appreciate that constant f4 when you do upgrade. Quick Navigation. As a wildlife photographer, not only is the autofocus insanely fast, it's also dead silent. Vibration compensation ; It offers vibration compensation which ensures that you capture a stable image. If you can keep yourself steady the IS and relatively low weight of this lens (for the category) will help you snap long shots you may otherwise miss. This is our choice for the one lens that stands out as the leader, even among the absolute best DSLR camera lenses for wildlife photography. Best Wide-angle Zoom Lenses for Canon EOS 7D Mark II Canon EF 16-35mm f/2.8L III USM ($1,999) Highly recommended! The RF mount has allowed Canon to go all the way to 15mm with their wide angle zoom, and you get a … You will produce images with this lens you would not otherwise have caught, and it makes a brilliant 'all around' and 'first time' lens for wildlife and sports photography. 1. If you’re new to photography, a fast lens refers to a lens with a … Auto-focus isn't going to touch a Nikon prime, but especially using a center focus point you'll achieve a very good 'hit' rate with sports and moving wildlife. Incredible image quality and a focal range that comfortably covers shooting larger animals easily with plenty of range even for most birders. It works at fixed f4 and while it’s a somewhat limited 200-400 focal length, that covers you in most wildlife use cases, especially when combined with a teleconverter. Telephoto lenses can be heavy and often need to be mounted on a tripod in order to be used. This lens has a focal length of 12-24mm, 14-24mm or 16-35mm on a full frame camera. If, like me, you love wide angle photography, then you are definitely going to want to check out Canon’s awesome 15-35mm wide angle lens for the RF mount. The focal length step beyond the Nikon holy trinity of zoom lenses (the 14-24, 24-70, and 70-200 mm f2.8). Nikon offers similar lenses in various focal lengths but the 600mm is perfect for shooting most mammals and many birds. Such focal lengths lend themselves to compositions that incorporate much of the surroundings in the frame. There are other choices, of course, that you can make for lenses. Nearly perfect, the nature of the amazing build quality is that the lens is both large and heavy to carry, in addition to being quite expensive. Wildlife photographers who shoot Nikon will not be disappointed, you are paying for one of the best. This article looks at the best lenses for wildlife photography, so I’ve not paid too much attention to the price of them (other than excluding the 5-figure options, which are not always the best choices anyway). It has a brilliant focal length for wildlife photography with a fixed aperture, vibration reduction, and terrific image quality. If you've ever tried to snap a picture of a bunny in your backyard, a bird in a tree, or a lion at the zoo then you've no doubt realized your normal kit lens makes it difficult. Nikon AF-S NIKKOR 14-24mm f/2.8G ED Lens is an incredible wide angle lens that will be a great addition to any landscape photographers kit. It’s the perfect option for photographers finding themselves travelling around a lot, not wanting to be burdened by clumsy, heavy equipment. Read our full review of this lens here. Providing a terrific field of view and sharp images. Image quality is really very good, only a hair beneath more elite lenses. Backpackerverse.com does not include the entire universe of available offers. Read our article on the difference between full frame and cropped sensors to understand about this. Heck, there’s a case to be made that the single best wide-angle Nikon lens of all is the 19mm f/4 tilt-shift – though I didn’t include it above because, at $3400, it would stick out from all … How to Selectively Reduce Noise in Luminar 2018 & Luminar 3. This lens features faster AF speed, enhanced vibration reduction, and better overall optical performance. Having been photographing since the age of 12, Will's images have won a string of awards, including the title of "Young British Wildlife Photographer of the Year" in 2009 from the British Wildlife Photography Awards. These recommendations are based on lenses we’ve reviewed here at Nature TTL, as well as information gleaned from real life experience with the gear. The Nikon 80-400mm: a beast that works across a wide focal length range. The Pentax 55-300mm f/4-5.8 lens is one of the best budget lenses for wildlife photography that is both brilliant and affordable! There are zooms on the market sharper than many primes – it just depends what you can afford. Should you use a zoom or a prime lens? This lens is an absolute gem, you really do get what you pay for. This is important because some auto-focus systems will not work, or work very poorly past certain aperture limits like f8. It may not quite hit the same marks as professional wildlife photography lenses, but for the price it's a good starting point. Want a long reach combined with a fast fixed aperture? This lens is actually very sharp and is lightweight, so it’s ideal for photographers who don’t want to break their backs lugging a 200-400mm around for a small gain in speed. Let’s take a look at some of the best lenses available for wildlife photography. It is significantly safer to shoot more dangerous animals from a distance. Except when it comes to the 40mm pancake lens, which I also admire. Will is also the author of the book On the Trail of Red Squirrels. When you spend big money on a lens, it is a small investment to help keep it safe. Super wide angle lens; This lens offers ultra-wide angle lens with the fixed F/2.8 aperture. When shooting over greater distances you can achieve razor thin focus points that separate subject from creamy soft backgrounds. The Canon EF 100– 400mm f/4.5– 5.6 Lens is another excellent Canon lens on this list and it totally merits its inclusion. Incredible sharpness from wide open apertures of f/2.8 all the way up through f/16 where you might start to see slight sharpness reduction. Animals are less likely to be scared away when you shoot from a distance. A fast, silent, and very accurate auto-focus implementation is complemented with a very good 4 stop image stabilization system. One of the primary reasons to use a DSLR for wildlife photography is the interchangeable lens system. Traditionally, anything wider than 35mm on a full-frame camera is considered a wide-angle lens; anything wider than 24mm is considered an ultra-wide-angle. The f2.8 lenses on the market are wonderful, though heavy and expensive, and you'll only really need them in low light scenarios. There are plenty of cheaper lenses, such as the DX range from Nikon, that address the 300mm range, but the quality of the glass is lower. Teleconverters add more focal length at the expense of light traveling to the lens. Wildlife photographers prefers to use a telephoto lens to capture their subjects. This lens is designed for the full-frame camera. You attach a 2x teleconverter giving you an extremely long 800 mm reach, but you've sacrificed 2 stops of light so while your settings read f5.6 you are shooting the equivalent of f11. Though not as heavy as the Sigma 150-600 Sport, it is still a physically large lens. Editorial opinions expressed on the site are strictly our own, and are not provided, endorsed, or approved by advertisers. I chose 1/5000 sec. The smallest maximum aperture across the range is still only 5.6, similar to the Canon 100-400mm. All in all, the focal range alone makes this lens something special, the weight means you'll bring it with you, and the image quality is pretty great. The focal range on this option covers 90% of wildlife photography scenarios in a relatively compact size with extremely high-quality image production. In very much the prosumer category this makes a great first wildlife lens for a Nikon shooter. Is Photography Allowed During the UK Lockdown? The Differences Between Zoom Lenses and Prime Lenses, The Best Canon Lens Options for Wildlife Photography, Best Lens for Wildlife Photography WINNER, 3 Best DSLR Cameras for Wildlife Photography. Home » Equipment » Tutorials » What’s the Best Lens for Wildlife Photography? Should you spend a lot, or a little? Common converters are 1.4x, 1.7x, or 2x. Luminar vs Lightroom Comparison: Which Software is Best? Comparison Table. Ultra-Wide Lens and Wide-Angle Lens. When you’re shooting at 150mm, you’ll be able to achieve as wide as f/5 for your aperture, but when at the 600mm end you’re limited to f/6.3 and smaller. Nikon AF-S Teleconverter TC-14E III (1.4x) It also means you have the flexibility to use even a 2x teleconverter making it an 800mm f/5.6 for only a small additional investment. Teleconverters offer you more reach for far less money than buying a bigger longer lens. So why use one? Nikon 14-24mm f/2.8 5. Canon have their own expense counterpart too: the Canon 400mm f/2.8. You’re going to be sacrificing some image sharpness with this budget telephoto, but it’s still a great lens when you’re on a tighter budget. Rokinon 14mm f/2.4 3. Fully equipped with a top-notch autofocusing system, the lens produces outstandingly clear images. Nikon 200-500 f5.6 – With a fixed, relatively fast aperture of f5.6, this lens is popular with many Nikon wildlife shooters. While it may seem pricey at first, remember that lenses tend to hold their value well and the top-end lenses get shots you simply cannot get any other way. I have a full frame sensor, and I use aNikon 14mm f/2.8 lens. Irix 15mm f/2.4 Since the Irix and Rokinon lenses are f/2.4 rather than f/2.8, I’m including photos at both apertures rather than just wide open or just f/2.8… Best Sony A6000 Lens for Macro Photography Sony FE 90mm f/2.8-22 Macro G OSS. Best wide-angle lens for the Sony A6000. 1. If you are planning to do macro photography, a good option for shooting up close is the Sony FE 90mm f/2.8-22 Macro G OSS lens. Since it’s an FE mount lens… While wide angle lenses which are perfect for capturing large herds of wild animals and flocks of birds have their place in every wildlife photographer’s gear bag, the most used lenses will be telephoto lenses which bring distant action close. First, let’s look at some of the things you need to consider when making your purchase. ​Updated 2/9/2020 - Which lens you pick will depend on upon which DSLR eco-system you have already invested in. You’re almost taking wide-angle images on one end, and close-ups on the other. Zeiss along with Leica is the premier choice for lens quality among the photography community. This is an extreme lens, the build quality, and moisture sealing will allow it into rugged situations, the nano crystal coat means you can shoot backlit situations without worrying about flare, and the autofocus is stunning in both speed and precision. The fixed aperture is f/5.6 is not ideal in low light situations, but given the low light capabilities of modern bodies, it should be more than enough for all but the gloomiest or dark day. It's also worth noting they cannot add to image quality, only detract. Your mileage may vary but I personally recommend sticking 1.4x extenders and prefer to go without when possible. Sigma and Tamron both make telephoto lenses for Canon and Nikon mounts that are viable and attractive telephoto alternatives. The zoom and focus … The popular Sigma 150-600mm f/5-6.3 lens is an example of this. Chromatic aberration is essentially a non-issue and you'll notice very little vignetting in the extreme corners and only wide open. There are, however, alternatives on the market that can help you get started for less. The best lens choices for wildlife photography, Canon 100-400mm f/4.5-5.6 II (£1,820 // $2,000), Nikon 200-500mm f/5.6 (£1,150 // $1,400), Sigma 150-600mm f/5-6.3 (£800 // $1,000), Tamron 150-600mm f/5-6.3 G2 (£1,300 // $1,400), Nikon 80-400mm f/4.5-5.6 (£1,750 // $2,100), the difference between full frame and cropped sensors, The Ultimate Guide to Wildlife Photography on a Budget, How to Upload Photos to Facebook at the Best Quality Possible. Buying considerations: The cost may be a little too much for those just getting into landscape photography. The biggest expense you’ll be looking at as a new wildlife photographer is your lens. Nonetheless, I'm a careful person so I prefer more protection and highly recommend carrying an inexpensive rain cover. The first question you’ll ask yourself, and the hardest to answer, is what focal length lens do you need? Canon EF 200-400mm f/4L IS USM Extender 1.4x, Nikon AF-S FX Nikkor 200-500 mm f/5.6E ED VR, Nikon AF-S FX Nikkor 200-400mm f/4G ED VR 2, Sigma 150-600mm 5-6.3 Sports DG OS HSM Lens for Nikon / Canon / Sigma mount. This is a commonly covered range in zoom lenses that will offer you a solid entry point and flexibility to grow as you discover your style. I’m going to include full images, center crops, and corner crops for all five lenses below. Yes, this tends to correlate with price, but you can still get sharp images on slower lenses – the two factors are not connected. The more professional grade the lens, the better it should weather harsh environments. 8-14mm (Ultra-wide Angle) Best for Astro & Landscape Photography and Action Video; 14-18 mm (Wide Angle) Best for Landscape Photography and Video; 18-35mm (close to the human eye) Best for street photography; 35-50mm (best for portraiture) 50-300mm (telephoto) best for nature & wildlife photography This great lens produces a sublime mix of compact build, splendid resolving power, and cutting-edge performance that’s perfect for wildlife and sports photography. Perfect for wildlife photography with its quiet motor; The glass elements reduce flaring; Cons. This is the longest of Nikon’s professional zoom line. Let’s take a look at some of the best lenses available for wildlife photography. Canon’s 100-400mm Mark II lens is an extremely popular lens. Thanks to the wide open aperture of the lens it is possible to shoot clear images in really low light without having to push the ISO or drag the shutter. The truth is both Canon and Nikon have incredible wildlife lens options. Start with something in the 100mm-400mm range, perhaps add a teleconverter to dabble in longer ranges, and then upgrade yourself to something in 500mm focal length or beyond when you decide you absolutely must. A 1.7x quickly turns this into a 340-680 mm f6.8 so your auto-focus may slow down a little but remains more than usable. In short, if you like landscapes, cityscapes, or anything in between then a wide lens is for you. Another third-party brand, Tamron have their own 150-600mm lens available. I started my career with the 150-500mm they offered at the time, many generations behind what is now on the market, and it lasted me for a good few years. They allow for flexibility, giving you a range of focal lengths you can use. This means a huge range is covered without needing to swap lenses, no comparability issues and no perceivable loss of image quality. The high-end Canon lenses tend to be more expensive than their Nikon counterparts, but not for much reason other than brand pricing. This might be surprising to read, but from a production standpoint “Animal Photography” is not really a thing. When shooting wildlife photography you will always feel like you want to be closer to your subject, and that’s achieved with extreme focal length telephoto lenses. We’ve also got a great article on the best camera for wildlife photography that looks at the ideal camera body for capturing wildlife photos. But if you like the idea of a fast prime, but not the idea of the £10,000 price tag, I recommend looking at the Sigma 500mm f/4 lens. RRP: $1,899.95 USD. If you’ve got a bit of a bigger budget to spend, then the 300mm from Nikon is ridiculously sharp. You can read our full review on this lens here. They soften your images too much in my opinion, and unless you’re using a very expensive high-end lens, it’ll degrade the quality of the image from any cheaper lenses more. Bigger is not always better when it comes to the aperture size of your lens, as the narrower depth of field can render important parts of the scene out of focus. This second generation is an upgrade to the original 150-600 they launched, which was very popular with users. If you’re looking to do this on a budget, have a read of The Ultimate Guide to Wildlife Photography on a Budget. **Below, you'll find our detailed reviews, but you can also click the links above to quickly check the prices of our top picks for the best wildlife photography camera lenses. Perfect for sports and wildlife photographers, Canon built a 1.4x teleconverter directly into the lens, so you don't need to switch or swap anything in the field. The king of ‘budget’ lenses, the 150-600mm f/5-6.3 is the latest in Sigma’s popular line of telephoto zooms. This lens is a Prime lens which means it doesn’t have any zoom functions, however it is wide angle and produces perhaps the best overall shots out of any lens you could add to your Sony A7R II. While this lens might require some time to master in situations like nailing focus on a bird in flight, once you get the hang of it, you'll produce beautiful sharp images. 2. The 85mm focal length is widely considered as the best lens for portrait photography. This lens is designed to fit both crop sensor and full frame cameras. Most telephoto lenses are hefty to carry and cumbersome to use hand-held for more than a few minutes at a time. The max aperture also means you're limited in teleconverter usage as a 1.4x teleconverter might be the longest you'll fit on it and the auto-focus will probably slow down a fair bit as you'll hit F/8. Well, the obvious answer is they take a long lens and make it longer. Attached to a full frame camera body you'll find the center frame tack sharp while the corners can be a little soft as you progress to longer focal lengths, on a crop sensor body like the Nikon D7200 you'll extend your reach and avoid much of the corner softness altogether. Nikon AF-S NIKKOR 80-400mm f/4.5-5.6G ED VR Lens. The most important thing to think about is quality of the glass and the consequent sharpness of the image. If you are shooting through a fence or mesh, you can get close to it, use a wide open aperture and often the fence or mesh will melt away so you don't see it if the subject is a fairly long distance away. If you are in the market for an 800 mm prime, you already know what you want and already have a subject planned. What’s the Best Camera for Wildlife Photography in 2020. You could have the best camera on the market, but with a poor quality lens attached you could find your photos soft and below expectations. 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Images are sharp and the constant aperture throughout the range is very welcome in a telephoto aimed at the budget market. How Long of a Lens Do I Need for Wildlife Photography? Personally, I’ve always been a great fan of zoom lenses. It’s super quick, too, at f/2.8. Will Nicholls is the founder of Nature TTL and a professional wildlife photographer and film-maker from England.